New York City
![New York New York © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco, 2020 © Fundación MAPFRE COLLECTIONS](/media/arte-cultura/colecciones/lee-friedlander/fm000590.jpg)
Lee Friedlander
New York City, 1964
© Lee Friedlander, courtesy Fraenkel Gallery, San Francisco, 2020
© Fundación MAPFRE COLLECTIONS
Technique
Gelatin silver print
Measurements
Measurements of printed area: 17 x 26 cm (6 11/16 x 10 1/4 in.)
Paper size: 39,5 x 51 cm (15 9/16 x 20 1/16 in.)
Inventory
FM000590
Subject / Document
Later copy
Description
The screens, the portraits, the nudes and the monuments: Friedlander transforms what he sees into subjects worthy of being studied. Without too much noise he presents a fragment of reality and creates a new alphabet of signs and metaphors. He demands we make an effort. He does not make it easy for us, that was never the intention.
Fifteen photographs on gelatin-silver print presented in a portfolio box 48/75.
Each photograph signed and numbered on the recto in pencil.
Published by Double Elephant Press.
Friedlander, Lee. The American Monument. Nueva York: Eakins, 1976
Friedlander, Lee. Lee Friedlander Portraits. Boston: Little, Brown, 1985
Friedlander, Lee, Rod Slemmons. Like a One-Eyed Cat: Photographs by Lee Friedlander, 1956-1987. Nueva York: H. N. Abrams, Seattle Art Museum, 1989
Friedlander, Lee. Nudes. Nueva York: Pantheon Books, 1991
Friedlander, Lee, Steve Lacy, y Ruth Brown. American Musicians. New York: D.A.P 1998
Friedlander, Lee. The Jazz People of New Orleans. Nueva York: Pantheon Books, 1992
Friedlander, Lee, Walker Evans. Lee Friedlander: The Little Screens. San Francisco: Fraenkel Gallery, 2001
Friedlander, Lee. Kitaj. San Francisco: Fraenkel Gallery, 2002
Friedlander, Lee, Peter Galassi, Richard Benson. Friedlander. Nueva York: Museum of Modern Art, 2005
Friedlander, Lee y John Szarkowski. Self Portrait: Lee Friedlander. Nueva York: Museum of Modern Art, 2005
Gollonet, Carlos. “La Habitación Invadida”, en The Creator Studio, núm 0, págs 41-48
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