New Year’s resolutions are a way of setting priorities and reaffirming what truly matters.
Find out more about Fundación Mapfre’s social commitment
Latest posts
Movilidad 3S: teaching safe mobility has its rewards
The FIA’s Mobility and Road Safety category rewards excellence, innovation, and measurable results in promoting safer mobility. The Movilidad 3S educational program has been recognized in this category for training thousands of children and young people in Colombia.
Avoid miracle diets. Choose health.
Avoid miracle diets and protect your health by gradually changing your diet and habits, getting reliable information, and seeking professional support when necessary.
In 2026, we choose to renew our commitment
As a new year begins, the challenges ahead are significant, but our determination is steadfast. That is why our resolutions for the year ahead are not merely intentions, but a guiding framework that shapes our actions and boosts our mission.
You can now view the final decision for the 2025 +Rural Grants
The Final Decision for the 2025 +Rural Grants Call for Proposals has now been published.
We are human, we are united in solidarity
On International Human Solidarity Day, we invite you to reflect on the importance of solidarity and to remember that the development of our society is only possible when no one is left behind.
Art and Culture

Anders Zorn
Midnight, 1891
© Zornmuseet, Mora
FEB.19.2026 – MAY.17.2026, MAD
Anders Zorn
Traveling the World, Remembering the Land
Coming from a humble rural background, Swedish artist Anders Zorn (1860-1920) achieved international fame as a portraitist of kings, politicians, and other celebrities of his time.
This exhibition presents a comprehensive overview of his work, a long and rich career in which his interest in portraying both the features of modernity and scenes characteristic of traditional life in his native region complemented his work as a portraitist.

Helen Levitt
New York, c. 1940
© Film Documents LLC, courtesy Zander Galerie, Cologne
FEB.19.2026 – MAY.17.2026, MAD
Helen Levitt
Helen Levitt (1913–2009) began photographing her native New York in the late 1930s, capturing images that reflected life in the poorest neighborhoods and, in particular, children and their street games. She did so with a special instinct for conveying the emotion, mystery, and humor contained in those childhood scenes.
Her work soon received the recognition it deserved, and in 1943 the Museum of Modern Art in New York organized her first solo exhibition. Deeply committed to social causes, Levitt was one of the first women to carve out a professional path in photography. The nearly 200 photographs featured in this exhibition offer a comprehensive journey through her entire career.

Walker Evans
Subway Passengers, New York, 1938
Vintage gelatin silver print
Private Collection, San Francisco
© Walker Evans Archive, The Metropolitan Museum of Art
FEB.26.2026 – MAY.24.2026, BCN
Walker Evans
Now and Then
In 2009, Fundación Mapfre inaugurated its photography exhibition program with a major retrospective dedicated to Walker Evans (1903–1975). Sixteen years later, Walker Evans. Now and Then presents a new reading of the work of one of the most influential photographers of the twentieth century, a key figure in shaping the modern documentary gaze. The exhibition brings together a broad selection of images that highlight the enduring relevance of his sensibility: portraits of anonymous individuals, street scenes, sober architectural studies, and photographs of urban signs that reveal the visual culture of his time. The exhibition path proposes an updated perspective on the way Evans observed and understood his surroundings, articulating a direct, reflective, and lyrical vision that continues to inspire generations of artists and to shape the way we understand documentary photography.

Carlos Pérez Siquier
Marbella, 1974
Fundación Mapfre Collections
© Pérez Siquier, VEGAP, Barcelona, 2026
FEB.26.2026 – MAY.24.2026, BCN
Pérez Siquier
Fundación Mapfre Collections
Centered on a key figure in the modernization of Spanish photography, this exhibition offers—through a significant selection of works from the Fundación Mapfre Collections—a journey through the series that defined the career of Carlos Pérez Siquier (1930–2021): from the documentary force of La Chanca, through the revitalizing drive of Almerian Photographic Association (AFAL), to his bold leap into color with Informalisms, The Beach, and Traps for the Unwary. It also includes his later projects, Encounters and La Briseña, where his gaze takes on a more introspective tone. Together, these works allow us to rediscover one of the most influential photographers in the visual transformation of 20th‑century Spain—a creator who observed his surroundings with a free, critical, and deeply poetic sensitivity.
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